The flight from LAX to Rio de Janeiro (GIG) had been a long one but while tired I was excited to be at last joining the movie company to film on location. I had been hired to train Jaguars and was the only America working for the British film. When I met Gabriel at customs, I soon discovered that I had stepped into a surreal world and time. He stared right through me wearing a sweat-stained t-shirt that read “Kill Them All and Let God Sort them Out.” I could just make out a faded French Foreign Legion logo on a worn canvas bag slung over his shoulder.
In a thick Portuguese accent, he said in rehearsed English, “Welcome to Brazil,” and commenced to orchestrate us through customs. This was the tone that the shooting of this movie would take for the better part of a year. We filmed in fifty-five different locations that year which took us from the coast to deep in the jungles of the Amazon. We were on a golden voyage, a real old school adventure and it was 1984. Each day took us further from what we knew to a world of wild animals, jungle darkness, danger, Voodoo and real outlaws. We were a long way from home.
